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Classic Wet Fly Display – 483 Flies

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Last Saturday I returned to Clyde’s Tower Oaks Lodge Restaurant in Rockville, Maryland, with my girlfriend, Mary Fortin. I wanted to show her the ten-frame set of classic wet flies that the owners purchased from me at the Fly Fishing Show in College Park, Maryland, in January of 2002. Tower Oaks opened in the fall of that year. We also coordinated our trip to visit a dear friend who is having health problems.

Since it has been twelve years since this collection of framed flies was placed on display, and considering that the last time I was there was in 2005, I was curious to see how they are holding up. From time to time I have friends and customers tell me they have seen the display, and they always have complimentary remarks. The wet fly collection fro Ray Bergman’s book, Trout, was something I vowed I was one day going to do. This was back in 1974, and resulted when I tied my first-ever Parmacheene Belle, and mounted it in a frame for my dad’s birthday. I made this commitment to myself: “Someday I’m going to tie and frame all those flies.” That goal was a dream come true; first in replicating the entire collection of color plate wet flies for the book, Forgotten Flies, 2000, and then for Clyde’s Restaurant Group. Subsequently I have replicated this entire set two additional times for private collectors. The display at Tower Oaks is, as far as I know, the only location in the entire United States where the wet fly color plates from Ray Bergman’s 1938 book, Trout, have been reproduced and are on permanent display. Trout is the only fishing book ever written to remain continuously in print for more than fifty years, and is the most-published in that genre as well, having sold more than 250,000 copies in all its volumes and editions.

There are ten frames in the set; all flies are reproduced exactly in the order and number of the artist’s rendition, and according to the pattern recipes listed in the back of the book. The paintings were done by Dr. Edgar Burke, a close friend of Ray Bergman.

An accurate and historically correct reproduction of Henry P. Wells famous Parmacheene Belle. He originated the fly in 1876, naming it after Lake Parmacheene in Maine's Rangeley Lakes Region. This dressing is given by Wells in the 1883 book, Fishing With the Fly by Charles F. Orvis and A. Nelson Cheney.

An accurate and historically correct reproduction of Henry P. Wells famous Parmacheene Belle. He originated the fly in 1876, naming it after Lake Parmacheene in Maine’s Rangeley Lakes Region. This dressing is given by Wells in the 1883 book, Fishing With the Fly by Charles F. Orvis and A. Nelson Cheney.

The Parmacheene Belle above was tied in traditional blind eye style, with a snelled double leader; a “bite-guard,” doubled at the head, as they were sometimes called. The wings are also tied in traditional reversed style. You can see the but ends of the wings which were tied in facing forward, then pulled back over. This makes for a garish-looking and large head, but it served its purpose in the durability department. The original body is yellow mohair, the original tag is peacock herl. This fly is dressed exactly to the originators specifications. It is curious that the Orvis / Marbury version of this fly was changed to a wing of half red and white, using ostrich herl for the butt. Various pattern component alterations have transpired over the decades, but this dressing is the correct one as put forth by the creator of the pattern. I digressed a bit to add some background on the interest of classic wet flies and their history.

In examining the frames, I noticed that as a result of routine cleaning, the finish is beginning to wear on the frames, especially along the top edge. The corners of the frames and the edges are showing a nice aura of natural aging, taking on an antique appearance, giving them a natural patina that shows more appropriately compared to the age of the flies contained within. Neither Mary nor I had a camera along, so there will be no actual photos. Not this time. But we plan to go back.

Below are a series of wet flies that are framed, using my original method of wire-mounting the flies to the mat board. It is virtually invisible in the display and my frames, making the flies appear suspended and uncluttered by pins, wire, cork pegs, and certainly no cement of any kind is used.

Hopatcong - #6. This pattern was mentioned in Mary Orvis Marbury's book, Favorite Flies and Their Histories, 1892, so it is well over one-hundred years old. She indicated that she would like to have included it among the Lake Flies.

Hopatcong – #6. This pattern was mentioned in Mary Orvis Marbury’s book, Favorite Flies and Their Histories, 1892, so it is well over one-hundred years old. She indicated that she would like to have included it among the Lake Flies.

Pope - #6.

Pope – #6.

Logan - #6; another old pattern.

Logan – #6; another old pattern.

Romeyn - #6. Illustrated in Marbury's book, and also included as a Lake Fly in the 1893 Orvis Display at the American Museum of Fly Fishing in Manchester, Vermont.

Romeyn – #6. Illustrated in Marbury’s book, and also included as a Lake Fly in the 1893 Orvis Display at the American Museum of Fly Fishing in Manchester, Vermont.

Victoria - #6; the green variation. There is also a Victoria with a dark blue body.

Victoria – #6; the green variation. There is also a Victoria with a dark blue body.

The wire I use to mount the flies...

The wire I use to mount the flies…

...and the view of a Red Hackle Peacock showing the wire mounted to the hook shank. The short 5/8" to 3/4" long section is bent 90 degrees and lashed - tightly - to the shank. It is inserted after the tag, ribbing and floss is attached, while winding forward to the head. It can be bent down to place wings and throats for inch wraps, then stood out to mount. A bobbin is used to make the hole in the mat, then the wire is inserted, the fly positioned just off the surface of the mat board, and then taped down in the back with acid-free archival cloth tape.

…and the view of a Red Hackle Peacock showing the wire mounted to the hook shank. The short 5/8″ to 3/4″ long section is bent 90 degrees and lashed – tightly – to the shank. It is inserted after the tag, ribbing and floss is attached, while winding forward to the head. It can be bent down to place wings and throats for inch wraps, then stood out to mount. A bobbin is used to make the hole in the mat, then the wire is inserted, the fly positioned just off the surface of the mat board, and then taped down in the back with acid-free archival cloth tape.

Mounting area of Plate No. 3 from Trout, 1938, by Ray Bergman.

Display area of frame; Plate No. 3, Wet Flies, from Trout, 1938, by Ray Bergman. This photo is from the third set of these flies that I completed. These are available for purchase on MyFlies.com, or by contacting me personally. Available as a complete set or as individual Color Plate reproductions, and also, custom selected patterns are available.

Here is the MyFlies.com link where images of all ten frames can be viewed.

http://www.myflies.com/Ray-Bergmans-emTroutem-Wet-Fly-Series–P592.aspx

Here is the link to Tower Oaks Lodge: http://www.clydes.com/tower

If you are ever in the metro Washington, DC, area or traveling in central Maryland, this place is worth a visit. The website presents information on the decor, which is exclusive. It is like a museum – the Adirondack Lodge area with the fishing displays,art, and artifacts; the Chesapeake Bay duck hunting section with antique decoys, boats, boats, and more boats, decoy baskets, full of original duck and goose decoys, and at least ten double-barrel shotguns; and the “Horses and Hounds” section, devoted to the racing and fox hunting traditions of estates in Hunt Valley Maryland. And the food, service, and ambiance is excellent. Five Stars!



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